Visvesvaraya Technological University Tender
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Karnataka, also known as Karunadu, is a state in the southwestern region of India. Karnataka was formed originally as Mysore State on 1st November 1956 and currently is the biggest state in south India. Its capital and largest city is Bengaluru. It covers an area of 191,791 km2 (74,051 sq mi) and is the sixth largest state by area comprising 31 districts. Karnataka is also a state of multiple languages; Kannada being the official and most widely spoken language in Karnataka. Other languages spoken in the state include Tamil, Telugu, Malayalam, Kodava, Konkani and much more.Karnataka tenders are issued by the government of Karnataka, public & private sector organisations. The state government issues majority of the Karnataka tenders, which are for goods and services including construction, road and bridge construction, IT services, engineering services, medical services, educational services amongst many others. Bidassist is one of the largest eprocurement portals, which offers all government tenders from across the world in one place. Bidassist offers information on all Karnataka tenders and other state and authority tenders in no time. Bidassist is a platform where users can look for various Karnataka tenders as well as other tenders.
Costs
EMD
₹ 50,000Document Cost
Refer DocumentsTender Fee
₹ 610
Description
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Contact
Tender Id
VTU/2024-25/OW/WORK_INDENT100Tender No
VTU/2024-25/OW/WORK_INDENT100Tender Authority
Visvesvaraya Technological University ViewPurchaser Address
-Website
http://http://vtu.ac.in/
GEM & Bid Advisory Services
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Documents
BOQ Items
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code04 - Moving Wash - Gamma 19X40 Pro Big Bee Eye K15+ ) 19PCS 40W hight brightness RGBW 4 in 1 LED bulbs 19 pixels (one pixel per LED), individually controllable Built-in color and rich graphic effects Specially designed optical system 4 degree -60 degree smooth linear motor focusing system 50,000 hours lamp life, low power consumption The three-phase motor,mevement faster and quiet 540 degree Pan mevement , 210 degree Tilt movement 16 -bit smooth and accurate Pan/Tilt rotation Scanner position memory function, automatic reset function Built-in macro function effect, RGBW smooth color mixing system, Color temperature adjustable from 2500-8000K 0-100% Smooth Linear LED dimming 1-25 times/second high-speed strobe effect, adjustable speed,with random strobe and pulse strobe 21/35/132/169 international standard DMX channels DMX512, Master-slave, Sound control, Self-propelled Color LCD display with 5 key switches ,and Chinese and English menu switch Electronic check-up of every single parameter with error alarm Automatic power safety derating in case of overheat of the LED board Low-noise and high-efficiency fan cooling system 40 degree C maximum ambient temperature 65 degree C maximum surface temperature 0 degree C minimum operating temperature: IP33 waterproof coefficient DB rate: 50db (3")2 pcs 1/4 fast locking Powercon plug Input and Output 3-Pin XLR signal connector Input and Output 5-Pin XLR signal connector Input and Output
RJ45 interface Maximum connected quantity 2 units (120V, 60Hz); 4 units (230V, 50Hz)LED B-EYE K15 has revolutionized the way we think about LED performance moving head lighting. Its innovative optics improve light output uniformity and brightness. The zoom range is from 4 degree to 60 degree. Each LED can be controlled individually, with built-in rich graphic effects. As a result, B-EYE K15 becomes an amazing effect moving head light.. Finally, LED B-EYE K15 front lens can be rotated, paired with rich built-in graphic effects, which can be opened and closed like petals. By adding color and motion graphics, LED B-EYE K15 can generate graphical lighting effects like never before. LED B-EYE K15 is twice as powerful and brighter than B-EYE K10. It is very quiet, and at the same time has the same size and the same control mode as the B-EYE K10
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code05 - Dragon Wash Ibra
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code06 - LED Battern The unit measures just over 1m long, features standard Neutrik Powercon power connections on the rear and has both 3-pin and 5-pin DMX connections. Two adjustable brackets allow the unit to stand solidly on the floor or be rigged to bars and truss. 18 x 8Watt RGBW 4-in-1 LEDs Refresh Rate : 3kHz Beam Angle : 18 degrees Power Consumption : 170 watts
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code07 - Molefays Blinders RGB 2-/4-lite Audience Blinder, Strobe, Wash Emulated “shift to warm” to mimic incandescent fixturesndividual pan of each pod to allow for directional adjustment Flexible Interlocking system for truss/floor mount C-Lok for seemless CLUSTER setups Multiple mounting locations for creative rigging options 16-bit dimming control for smooth, perfect fades Easy to use OLED display with touch-sensitive and backlit controls DMX via 5-pin XLR In/Out connectorsSingle pixel/pod control High CRI Adjustable PWM frequencies up to 25kHz guarantee flicker-free camera operation Four selectable dimmer curves with adjustable response
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code08 - CMY-CTO-380 3 in 1 Gamma Input Voltage: AC 100-240V 50/60Hz, Lamp Source: Osram Lamp 380W, Power Consumption: 600W, Gobos one static gobo wheel: 12 gobos + open 1 rotating gobo wheel, Color: 1 color wheel, 8 colors +open + CTO (3200K-7500K), CMY wheel: linear color change, Limitless color mixing, Noiseless fan with Control Big LCD display Control Protocol: RDM , DMX512, ARTNET Channel: 32CH/24CH Prism: Rotating 8 facet prism and 8+16+24+48 facet prism Beam angle: 0-2 degree Fixture Connection:3-pin DMX in % out, power in & out Pan: 540 degree Till: 270 degree Pan/Till Resolution: 16 bit Cooling: Sunon Fan Color Rendering Index(Ra): 90 Operation temperature: 20-40 degree C Product Size: 350*290*580mm Packing Size: 440*390*560mm Net Weight:24 Kg Gross Weight: 26 Kg IP Rating: IP20
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code09 - Haze Machine This fogger is reliable, safe and feature-rich. In addition, it has a practical and nice looking design. It will be your best smoking friend at small to large venues. The smoke intensity is seamlessly adjustable from 0-100 %. You can not only control the fogger manually, you can also control it via DMX or the included timer remote control.
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code10 - Follow Spot Hard or soft edged beam which zooms from a 9.6 feet to 26.5 feet diameter circle at a distance of 75 feet with the iris fully open. The beam may be further attenuated by using the integral iris for spot size adjustment and the integral framing shutters for top and bottom edge framing. The Satellite-1 is designed for use with the 575 watt HMI lamp. The luminaire is used in any application where manual control of a lighting beam is required to follow a performer and to vary beam size, quality and color
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code11 - DMX Fan The Look-Fan DMX is a powerful fan with 850 Watt. It can be used where fog needs to be distributed quickly and constant or where a strong wind effect is needed.
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code12 - Avolite Arena Lighting Controller Combines Titans visual interface with a large control surface Built-in network switch for ultimate connectivity Super bright 15.6 inch main display, plus a second smaller touch screen provides additional workspace 6 LCD screens ensure all playbacks are electronically labelled Generative, animation - based pixel mapping Quicksketch labelling for ultimate personalisation Feature - packed cue lists supporting macros, tracking, autoloads, timecode and more
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code13 - TRUSS ( 80ftx60ft Box Truss with 6 pillars and 2 center Lines wit 4 stage pillars between LED) Pipe diameter main pipe: 50mm Wall thickness: 2mm Material: EN AW-6082 T6 Snake brace: 8,8mm, 34 Truss is a 30 x 30" support foundation for Global Truss F34 truss sections, which can be used to install lights at trade shows and other display spaces, Capacity: 1 Ton (Metric Rated) Headroom: 13 in. Reeving: 1 Pull Force: 77 lbs. Hand Chain Over-hauled to Lift Load One Foot: 37 ft. Equipped with hardened load chain for flexibility and long wear Compact design, low headroom and lightweight steel construction for easy installation, even in confined spaces Hand wheel cover with guide slots minimizes jamming and slipping Weston-type load brake requires no lubrication Forged swivel hooks with latches reduce twisting of chain and unintentional unhooking of load when chain is slack Each hoist is thoroughly inspected and tested to over 125% of rated load prior to shipment
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101695
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code14 - Video Display ( LED Wall on stage) Display Function Video Display, Image & Text Display, Text Display, Market Display Pixel Pitch 4mm Pixel Configuration 1R,1G,1B Pixel Density 62500 Dots/M2 Scanning Mode 1/16 Scan Display Type LED Video Display Application Stage Performance, Advertising, Shopping Guide IP Rating IP43 Certification CE, RoHS, CCC, ETL Frame Rate greater than 540Hz Pitch 4mm LED Spec SMD3in1 Best View Distance 4-30m Brightness greater than 1400CD/Sqm View Angel Horizontal:160; Vertial:140; LED Type SMD2727 Installation Hanging on Truss / Stacking on Floor Specification 500 * 500 / 1000
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code15 - 16ftx10ftx2nos- Delay LED Wall for Live Feed on ground Display Function Video Display, Image & Text Display, Text Display, Market Display Pixel Pitch 4mm Pixel Configuration 1R,1G,1B Pixel Density 62500 Dots/M2 Scanning Mode 1/16 Scan Display Type LED Video Display Application Stage Performance, Advertising, Shopping Guide IP Rating IP43 Certification CE, RoHS, CCC, ETL Frame Rate greater than 540Hz Pitch 4mm LED Spec SMD3in1 Best View Distance 4-30m Brightness greater than 1400CD/Sqm View Angel Horizontal:160; Vertial:140; LED Type SMD2727 Installation Hanging on Truss / Stacking on Floor Specification 500 * 500 / 1000
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code16 - 12ftx8ftx2nos- Display Function Video Display, Image & Text Display, Text Display, Market Display Pixel Pitch 4mm Pixel Configuration 1R,1G,1B Pixel Density 62500 Dots/M2 Scanning Mode 1/16 Scan Display Type LED Video Display Application Stage Performance, Advertising, Shopping Guide IP Rating IP43 Certification CE, RoHS, CCC, ETL Frame Rate greater than 540Hz Pitch 4mm LED Spec SMD3in1 Best View Distance 4-30m Brightness greater than 1400CD/Sqm View Angel Horizontal:160; Vertial:140; LED Type SMD2727 Installation Hanging on Truss / Stacking on Floor Specification 500 * 500 / 1000
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code17 - Scaler/Switcher- 4K USB-C Input; 7x HDMI inputs 2 Legacy analog video inputs Mic Input 48V Phantom Power for Microphone Control - RS-232, Ethernet & IR Power provider to USB-C input
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4661
4661
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code18 - 4K Prime Processor- NOVASTAR. Manufacturer Series. 4K PRIME. I/O Points. 6 INPUTS AND 16 OUTPUTS. Output Type. ETHERNET PORT.Pulse Transmission Output. 60 HZ. Communication Port. 4 TYPES. Display Type. LCD/LED. Usage/Application. Industrial.
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46610
46610
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code19 - Special Effects Sparkular fall Dimension 196x208x192 mm, Weight 6.0 kg Input 220v Power 400 W Work Temp - 10 degree 50 degree Interface Double DMX/AC power input interfaces Adaptable Truss Size 40 - 60 mm Effect Fall Length 2 m- 7 m
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code20 - Sparkular spin Effect height: 2-5m, depending on size Sparkular powder used (height adjustable, see product specification PDF for more info) - Effect direction: Two 20 degree angled nozzles Consumption: Sparkular powder 200g HC8200 Consumption Rate: 20g/min*2 Interface: Neutrik 3-pin & 5-pin DMX IN/OUT Control: DMX controllable, 2/4 channels switchable - Input: AC220V 50/60Hz Work power: 1000W Casing Material: Stainless steel
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50844
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code21 - Sparkular Triple Effect height: HC8200 LARGE (2.5m) - Height adjustable - HC8200 MEDIUM (2.4m) Height adjustable Effect direction: Straight up and 25 degree for both side Hopper capacity: HC8200 consumption rate: 17g/Min*3 Control: DMX - Interface: Neutrik PowerCON TRUE1 IN/OUT, Neutrik 3-pin & 5-pin DMX IN/OUT Input: 220V 50/60Hz Work power: 1500W, Casing Material: Stainless steel
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6779
6779
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code22 - Sparkular BT01 Effect height: 1.5-5m, depending on size Sparkular powder used (height adjustable, see product specification PDF for more info) Consumption: Sparkular powder 200g Shoot time: 10-20mins/bag according to shooting height Control: DMX controllable Interface: DMX IN/OUT, POWER IN/OUT Input: 200-240VAC, 50/60 Hz Work power: 500W
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61016
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code23 - Circle Flamer Effect height Up to 8-10m (no wind) Effect angles 210 degree (plus or minus 105 degree) DMX interface 3-pin and 5-pin double DMX socket Control DMX 512, compatible with wireless DMX Fuel Isopar-G, H, L, M Isopropanol, Bioethanol Fuel bottle capacity: 10L -Ext.battery powered: YES Work power 380W
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20127
80508
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code24 - Consumables No smoke, no pyro smell Granulated alloy, non-hazmat storage DMG tested, can be shipped by air/sea RoHS certified, environmental friendly Aluminum foil bag vacuum packaging, long shelf life.
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29661
29661
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code25 - Sonic Boom Patented supercharging technology , stronger burst,Dense smoke column up to 15m, Powerful dual smoke generation system, dual output,Whole metal piping system, reliable and longer service life,6L built in stainless steel fluid tank with mechanical fluid level indicator, Unique constant pressure system, consistent smoke effect, 30 pcs 9W LED, independent smoke column color change, No generation of CO 2, environmental friendly, Unlimited installation angles even upside down, Cost effective consumables
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code26 - CO2 Jet CO2 JET is a compact CO2 effect machine blows clouds of CO2 up to 8m. It is with multi angles adjustable and unlimited installations even upside down. Built in DMX and direct on-off control makes it versatile for different application situations.
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code27 - Sparkular Jet Flashing SPARKULAR effect similar to 1s fountain fireworks Built-in auto air compressor, plug and play No gunpowder and no pyro smell Adjustable effect height up to 10m Stainless steel housing Built-in pressure sensor and safety valve for double security DMX control, easy setup and installation 3-PIN AND 5-PIN XLR IN/OUT Neutrik powerCON TRUE1 connector
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code28 - Confetti on Stage Easy floor mounting or hanging on truss; Various color confetti cannons for option, plug and play, safe and convenient; Output distance: 5m for 40cm confetti cannon and 10m for 80cm confetti cannon Support 4 pcs confetti cannons separate or simultaneous use; Able to be daisy chained; Built-in lithium battery enable work without external power source, supports 100 times output once full charged; Built-in LCD control, wireless control and DMX control. Wireless remote controller supports remote control within 100 meters
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code29 - Co2 Canon Blower Confetti canon machine with DMX control, the range can reach about 10-15 Meters, covering an area of up to 300 square meters
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code30 - Stadium Shot Half the size, same effect (60 x 40 x 87 cm LxWxH)Built-in air compressor, fast and low noise (fills tank within 2 min.) Easy adjustable output pipe with angle indicato Controllable by DMX or pyro controllers Fully integrated key-activated enable circuit Secure safe with 3m straps Stadium shot 03nos with cue 4nos
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code31 - Scaffolding Wheeled Design: The double break adjustment wheels with sturdy grips make the tower easily movable while ensuring stability and safety. High Load Capacity: With a local capacity of 250 kg per platform, this scaffolding tower can support heavy equipment and multiple workers. Adjustable Platform Height: The platform height can be adjusted to suit your specific needs, offering flexibility and ease of use.
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code32 - IN GROUND ( V8 Loudspeaker NLT4F/M ) The V8 is a 3-way passive design housing 2 x 10" LF drivers, one hornloaded 8" MF driver and two 1.4" exit HF compression drivers with 2.5" voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 80 degree horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V8 loudspeakers or combined with V12s and / or with V-SUBs. The V8 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet
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code33 - V12 Loudspeaker NLT4F/M The V12 is a 3-way passive design housing 2 x 10" LF drivers, one hornloaded 8" MF driver and two 1.4" exit HF compression drivers with 2.5" voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 120 degree horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V12 loudspeakers or combined with V8s and / or with V-SUBs. The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet.
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code34 - V Subwoofer NLT4F/M The V-SUB is an actively driven high performance cardioid subwoofer powered by a single amplifier channel. The V-SUB features integrated rigging equipment, and shares the same acoustical and visual design as the V-GSUB, which is intended for ground stacked applications only. It houses two long excursion neodymium drivers, an 18" driver in a bass-reflex design facing to the front and a 12" driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction.The V subwoofer can be used to supplement V8 and V12 loudspeakers in various combinations, ground stacked or flown, either integrated on top of a V8 / V12 array or as a separate column.The V-SUB cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates two handles, whilst the top panel has an M20 high stand flange inserted.
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code35 - B22 Subwoofer NLT4F/M The loudspeaker shall be an actively driven subwoofer housing a pair of 18" long excursion neodymium LF drivers built into a bandpass horn cabinet. The loudspeaker shall only be operated by a dedicated, compatible controller amplifier. The cabinet enclosure shall be made from marine plywood with an impact resistant paint finish. The driver shall be protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet shall incorporate four handles in each side panel and four heavy duty transport wheels at the cabinets rear. Two runners shall be incorporated in the bottom panel and two corresponding recesses in the top panel shall be incorporated to prevent movement of stacked cabinets. The connection panel on the back shall be recessed and fitted with speakon NLT4 F/M sockets
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code36 - D80 Amplifier NL The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft) to be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D80 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen of the D80 amplifier is tilted up for ease of operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases the application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D80 amplifier enables the electrical compensation of loudspeaker cable properties, without the need for an extra conductor. This results in an increased accuracy of audio reproduction over a bandwidth of up to 20 kHz, preserving the tonal balance when cable lengths of up to 70 m (230 ft) are used. The D80 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V/120 V/200 V/230 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. The D80 amplifier outputs are NL4 connectors plus one centered NL8 connector with all pins driven. RJ 45 and etherCON connectors enable access to the d&b Remote network via CAN-Bus and OCA/AES70 via Ethernet respectively. For further information regarding the integration of additional functions into the D80
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code37 - Yamaha PM 5 Digital Audio Mixer with Stage Box Mixing Capacity288 Inputs, 72 MIX + 36 MATRIX + 2 STEREO (DSP-RX-EX) Sampling Frequency, Internal Clock. Frequency: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz. User Interface. Power Requirements100-240 V, 50/60Hz. Power Consumption300 W. Dimensions (WxHxD)56.85" x 16.29" x 25.32" Weight92.59 pounds.
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code38 - Stage Monitors ( QSC K12 Monitors) 2000 Watt Class-D amplifier module, Intrinsic Correction tuning and loudspeaker management, Directivity Matched Transition (DMT) design provides excellent power response and consistent performance across the listening area, Refined, professional appearance looks great in any application, Rugged ABS enclosure for long life and lasting durability, Deployment in either main PA or floor monitor position, Factory Presets and savable/recallable Scenes for commonly-used application, Multi-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contour, Dual pole cup mounts (standard and 7.5 degree down-tilt), M10 fittings for flown applications, Optional security panel prevents unauthorized tampering of controls
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code39 - M4 Monitors The M4 is a 2-way high performance stage monitor employing an integrated 15” LF and 1.3” exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50 degreex 70 degree (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage.
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code40 - Stage Side Fill (JBL SRX 725 Top) The speakers feature dual 15" Differential Drive drivers that deliver exceptional low-frequency output. A 102 mm (4 in) voice-coil neodymium compression driver provides high-power capability while maintaining a lightweight design. The speakers can be used in either bi-amplified mode or as a full-range passive system. The SRX725F model offers five suspension points that allow for the attachment of optional M10 eyebolts or detachable track fittings
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code41 - JBL SRX 728 Sub High-power subwoofer, 2 - 2268H Differential Drive, neodymium magnet, 18" woofers, Power Rating 6400W Peak, Front-loaded vented enclosure, 2 Neutrik Speakon NL-4 connectors, External switch selects either contacts +1/-1 or +2/-2. Internal connector separates each woofer into 2 channels, Birch plywood construction, Heavily braced, Rugged DuraFlex finish, Isolated chamber for each woofer, CNC machined, 16-gauge steel grille
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code42 - Outfill/Delay Sound System (EAW 740 KF Tops ) The KF740 line array system is optimized for the widest possible range of touring and installation applications. With output capabilities resembling the much larger KF760 and a footprint and weight similar to the KF730, the KF740 is the ideal solution for a wide variety of applications. The KF740 delivers the premium, high output, 3-way performance that is the hallmark of the KF Series in an extremely compact and easy-to-use package. Dual 2.5-in voice coil HF compression drivers and dual 8-in Concentric Summation Array (CSA) loaded MF transducers are integrated through a common horn that occupies the entire face of the enclosure. The astounding pattern control offered by this configuration is extended down to 160 Hz as the MF devices are transitioned to a spaced array of four 2.5-in voice coil 10-in woofers. The pair of LF devices integrated within the MF/HF horn combined with the pair of side-mounted devices provides as much as 18 dB of offaxis rejection. EAW Focusing delivered via UX series processors precisely transitions from one system subsection to another while maintaining nearly perfect 90 degree control.
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code43 - Sub Woofer for Drummer (18" Sub Woofer for Drummer ) Power: A 1000-watt Class D power module with 2 x 500 watts, DSP: Extensive DSP with Intrinsic Correction and DEEP, Enclosure: A rugged, texture-painted birch speaker enclosure, Grill: A tour-grade, 16-gauge steel grille, Handles: Comfortable ergonomic handles, Connectivity: Dual balanced female XLR / 1/4" line level, Low-pass filter: A fixed low-pass filter for full-range input, Casters: Four large casters for portability, Pole socket: An M20 threaded insert on the top of the enclosure for a secure fit with the included speaker pole, Coverage: Directivity Matched Transition (DMT) for matched LF and HF coverage across the listening area Low-frequency response: DEEP and excursion limiting for extended low-frequency response
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3813
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code44 - Mics (Shure QLXD4 Cordless Handheld MIC) Automatic Channel Scan quickly finds clear frequencies; Networked Channel Scan then shares open frequencies between multiple receivers over Ethernet, with one touch syncing, Digital Predictive Switching Diversity ensures a stable RF connection, Highly efficient RF spectrum usage - up to 22 transmitters per 8 MHz channel, Secure AES 256 bit encryption of all wireless transmissions, Shure Wireless Workbench software allows remote control from PC or Mac, ShurePlus Channels mobile app allows remote control from iOS devices, Half rack format with detachable half wave antennas, Up to 60 dB of adjustable audio gain Up to 72 MHz tuning bandwidth (region dependent), More than 60 pre set compatible channels per frequency band (region dependent), High contrast LCD menu and controls with lockout feature, plus Audio and RF LED meters with peak indicator, Mic / line switchable XLR output, and 6.3 mm instrument output, Durable aluminium construction with brushed finish,
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code45 - Body Pack Receiver Bodypack receiver for use with the PSM 1000 Personal Monitor System. The P10R+ twin-antenna diversity Bodypack Receiver brings personal monitoring to its highest level yet, putting category-leading audio quality, robust RF performance, and touring-grade features right at your fingertips. Its advanced digital signal processing technology delivers unparalleled audio quality with more headroom, better stereo separation, and higher fidelity. With premium features like full bandwidth RF scan, Precision Front-End RF Filtering, and Automatic RF Gain Control, P10R+ meets the needs of professional audio applications of all sizes, including IEM and IFB applications.
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code46 - Podium Mic DPA Directional Pattern: Supercardioid, Principle of Operation: Pressure gradient, Cartridge Type: Pre-polarized condenser, Frequency Range: 20 Hz - 20 kHz, Speech intelligibility - low noise, Linear response, Low distortion, Extremely large dynamic range, Speaking into the side (off-axis) of the microphone doesn't make the audio sound worse, it just drops the level of your voice
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code47 - DPA Headset Mic Sound: Open and natural sound, Flexibility: Unequalled flexibility and stability, Durability: A durable package Adapter system: Flexible adapter system, Fit: One-size-fits-all adjustable frame, Ear grips: 3-point ear grips, Boom: Two-way adjustable boom, Cable management: 90 degree cable management system, Mount: Technically advanced mechanical headset mount construction, Treatment: PVD-treated mic, Mounting: Easy mounting to the left or right Humidity: Resistant to humidity, Cable: Field-replaceable cable, Carrying case: Well presented in a strong carrying case,
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code48 - Corded Mic with stand Frequency response tailored for vocals, with brightened midrange and bass rolloff, Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise, Pneumatic shock-mount system cuts down handling noise, Effective, built-in spherical wind and pop filter, Supplied with break-resistant stand adapter which rotates 180 degrees, Legendary Shure quality, ruggedness and reliability, Cardioid (unidirectional) dynamic, Frequency response: 50 to 15,000 Hz
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code49 - cordless Microphones SENNHEISER 6000 Series The handheld transmitter SKM 6000 is inter modulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, artifact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.
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932
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code50 - SEMPMI0024- Senheiser Drum Kit 900 Series 1 s 902 Bass drum microphone, 4 e 904 Tom microphone, 1 e 906 Snare microphone, 2 e 914 Overhead microphone, CC5 case with inlay, e914: for demanding instrument recordings, and performances that produce extended frequencies, high SPL handling and transient response. For woodwind, strings, and home recording, e904: for toms, snares, and percussion, clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp, 902: for bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording.
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code51 - DPA Instrumental Mic The DPA is a supercardioid condenser microphone with a small footprint. It has a gooseneck that allows for a variety of positioning options. The microphone terminates with a 5.5" gooseneck and a MicroDot connector, CORE technology, Handles high SPLs, Superior gain-before-feedback, Flexible and easy mounting, Detachable cable, Uniform off-axis frequency response, Brings out the true nature of an acoustic instrument
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code52 - IEM(Sennheiser IEM 2000 series) The receiver of this in-ear wireless monitoring set works with Adaptive Diversity Technology. The cable of the earphone is used as second antenna. Thus, significantly fewer dropouts can be achieved. It is compatible with all In Ear headphones with a 3.5 mm jack plug and provides an authentic picture of the live sound, allowing perfect performance control.
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code53 - EK2000-IEM-CW-X BODYPACK RECEIVER The receiver of this in-ear wireless monitoring set works with Adaptive Diversity Technology. The cable of the earphone is used as second antenna. Thus, significantly fewer dropouts can be achieved. It is compatible with all In Ear headphones with a 3.5 mm jack plug and provides an authentic picture of the live sound, allowing perfect performance control.
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code54 - SR2050-IEM-CW-X DUAL TRANSMITTER The SR 2050 rack-mount twin transmitter is an in-ear monitoring system designed to meet the highest demands for audio quality and RF transmission and is therefore the first choice for professional touring, broadcast, musical and theater applications. Network-compatible and remotely controllable with the Wireless System Manager (WSM) software.
8
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code55 - A 5000-CP Helical ANTENNA The A 5000-CP passive antenna provides an optimum solution for both transmitting and receiving RF signals throughout the UHF spectrum. Installations have demonstrated that the circular polarization of this antenna minimizes variations in signal strength and almost eliminates multipath problems, a primary cause dropouts. The gain of this antenna over the entire UHF band is superior to common off the shelf' antennas. The wideband design (450-960MHz) of the A 5000-CP allows it to accommodate antenna distribution systems for either wireless monitors or wireless microphones across multiple frequency ranges, offering maximum flexibility when designing complex RF systems.
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846
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code56 - Kick 20",Snare 14",Tom (Radious 10 inch),Tom (Radious 12 inch),Floor Tom 14",Hihat Top & Bottom (14 inch),Crash 16 inch,Crash 18 inch,Ride 20Inch, Throwne with stand, Snake drum stand S390, H-930Hi hat Stand, C-930 Cymbal Boom stand,BC-930 Cymbal Boom Stand,ADP 30 Adapter.) Drum Kit: Standard 5 Piece Pearl Masters MCX Ready to play package including a 5pc kit, hardware, cymbals, drum stool, and drumsticks, 7.5mm, 6-ply poplar shells provide a warmth, versatile tone, Includes a hi-hat and a crash/ride cymbal for immediate play, Premier low-mass lugs provide tuning reliability, Triple flanged steel hoops offer impeccable rimshot sounds, Includes a matching 14’’ x 5’’ wooden snare drum, Hard-wearing PVC finish is extremely durable, Double-braced hardware for added stability
1
38135
38135
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code57 - Cymbals ( Zildjian K1209 9K Custom Hybrid Splash) K Custom Hybrid Cymbals were designed with one of Japans top drummers, Akira Jimbo. These cymbals combine darkness and brilliance with a brilliant-inner, traditional-outer hybrid finish that adds crashability. Thin Crashes and Splashes project like heavier cymbals due to the unlathed bell.Designed with Japanese drummer Akira Jimbo Combine darkness and brilliance Hybrid traditional-brilliant finish Added crashability Projects like heavier cymbal due to unlathed bell
1
847
847
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code58 - Zildjian A20529 18A Custom China Fast, explosive sound with immediate attack and smooth decay, clean "China" sound with characteristic A Custom shimmer and texture,Bright Sound
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677
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code59 - Zildjian KC0801W Workship K Custom Pack Zildjian KC0801W K Custom Worship Pack Cymbal Set introducing to give you dark, contemporary voice that wont require center stage in your mix, and a high level of artistic expressiveness that drummers of all backgrounds can experience. All cymbal in the K Custom Zildjian Worship Pack is perfectly hand-picked for the worship music style. This K Custom is equipped with 14-inch Dark Hi-hats for full-bodied definition, 16-inch and 18-inch Fast Crashes that develop fast and get out of the way, and a woody, established 20-inch Medium Ride that wont fight the guitars and keys for bandwidth.
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423
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code60 - PERCUSSIONS Congas with stand -2piece (LP) 30" tall select, kiln dried, environmentally friendly Siam Oak construction adds to the drums overall warm tone; unique shell contour brings out the drum's mid and high sound ranges, Hand selected, natural rawhide heads, Comfort Curve II Rims- 5/16" diameter tuning lugs- Reinforced LP Heart Side Plates - Fiberglass layer added to the inside upper portion of the shell to provide additional strength - LP ProCare Integrated Shell Protectors prevent the side plate hardware from marking or damaging adjacent drums- Accessory pouch, tuning wrench, and LP Lug Lube included Sunburst Finish with Chrome Hardware.
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code61 - Bongos with stand (LP) Siam Oak shells with black powder coated hardware 6-3/4" and 8" natural rawhide heads LP Aspire EZ Curve Rims 9/32" diameter tuning lugs and Cuban-style steel bottoms
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1271
1271
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code62 - Darbuka with stand - White Pearl (WP)
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1016
1016
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code63 - Timbale pair with stand (LP) with Cowbell 13-inch and 14-inch drums with a center-mounted cowbell and holder Heavy-duty, double braced stand is height-adjustable and built to take it Includes Drum sticks and tuning key
2
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code64 - Glitzy Djembe with stand JS10
Acousticon shell and drum body design djembes showcase beautiful, unique artwork by renowned Artist Aric Improta Weather resistant Black Suede drumhead produces deep bass tones and sharp slaps in all weather conditions Key-Tuned system makes the drum easy to tune, and the head easy to replace High density non-skid rubber base protects the shell from impact Idea for all recreational and educational activities
1
847
847
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code65 - Guitar Amps (Fender Twin Reverb) The Fender 65 Twin Reverb Amp is an authentic all-tube reproduction of the original classic It has earned a reputation of being one of the cleanest tube amps ever, but it delivers a taste of the trademark Fender crunch when cranked up high. Delivers 85W through two Jensen 12" speakers. It has two channels, tube vibrato, tube spring reverb, tilt-back legs and Blackface cosmetics. Includes two-button footswitch to control reverb and vibrato effects
1
1271
1271
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code66 - Rhythm Guitar Amps (Marshall JCM 900 Head with 1960A-E 300w cabinet ) The Marshall JCM900 is a 100-watt, two-channel guitar amplifier head with a valve technology. It has a series FX loop that allows you to switch effects pedals in and out. The JCM900 also has a true bypass operation for sonic transparency, Speakers: Four 75-watt G12T-75 speakers Inputs: Two inputs, Power: 75 watts each, Mono/stereo: 4/16-ohm mono or 8-ohm stereo, Power handling: 2 x 150W (stereo mode) 1 x 300w (mono mode), Appearance: Black grille cloth and white piping, large white logo, black elephant grain vinyl, Angled cut: The sides and baffle of the cabinet are angled, which slightly angles the top two 12" speakers upwards
1
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847
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code67 - BASS GUITAR AMP( Hartke LH 1000 ) The LH1000 features a classic 12AX7 Class A tube front-end design with a solid-state output. Trick out the bass and treble shelves to give its warm tone an edge, or use the Brite and Limiter switches to further sculpt your sound. Its intuitive front-panel design also makes on-the-fly adjustments a breeze. While the LH1000 is the perfect complement to our HyDrive Series bass cabinets
1
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677
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code68 - Mark Bass INPUT impedance 500 Kohm, max. voltage 15 Vpp EFFECT RETURN impedance 22 Kohm, max. voltage 25 Vpp CONTROLS GAIN 80 dB to +25 dB range MASTER VOLUME GROUND LIFT switch on rear panel EQUALIZATION LOW center frequency: 40 Hz; level: plus or minus 16 dB LOW MID center frequency: 360 Hz, level: plus or minus 16 dB HIGH MID center frequency: 800 Hz, level: plus or minus 16 dB HIGH center frequency: 10 kHz: plus or minus 16 dB VPF (Variable Pre-shape Filter) center frequency 380 Hz (cut) VLE (Vintage Loudspeaker Emulator) frequency range 250 Hz-20 kHz (cut) OUTPUT LINE OUT balanced XLR, max. voltage 10 Vpp EFFECT SEND unbalanced, max. voltage 20 Vpp (pre-EQ) TUNER OUT unbalanced, max. voltage 25 Vpp SPEAKER OUT speakon / 1/4" (x2) OTHER OUTPUT POWER 300W RMS @ 8 ohm, 500W RMS @ 4 ohm POWER REQUIREMENT 100V; 120V; 230V; 240V 50/60Hz
1
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1016
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code69 - KEYBOARD AMP( Roland KC 550 ) The KC-550 boasts 180 watts of powerful sound via a 15-inch speaker and horn tweeter. In addition to its four input channels, this flagship amp includes an Output Select switch for selecting the monitor sound destination, a Shape switch for quick sound adjustment and an XLR Line output for direct connection to a mixing console.
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677
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code70 - Keyboard (Yamaha MOTIF XF6 WH Keyboard) FSX keyboard provides a high level of playability, 741 MB of internal Wave ROM includes realistic pianos and acoustic instruments, vintage synthesizers and current hip hop sounds 1664 Voices and 97 Drum Kits Eight element synthesizer architecture with XSpanded articulation and eighteen different filter types allows for endlessly shaping sounds in real-time using eight front panel knobs and liders Arpeggiator with over 7,000 patterns Category search function makes finding sounds easy
1
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2542
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code71 - Accessories (Guitar Stand) Instant height adjustment clutch, Folding auto grip system Narrow Instrument Neck Adjustment for mandolins and banjos
4
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code72 - Keyboard stand single Professional-grade keyboard stand. Single-bar design for stability and support. Adjustable height settings for personalized playing position. Rubberized feet for stability and slip resistance. Easy setup and collapsible design for portability. Suitable for keyboards and digital pianos.
1
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423
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code73 - Keyboard stand double-spider The Spider Pro is the further development of the Spider keyboard stand. The Spider Pro is equipped with a pair of extendable support arms, as well as an additional pair of extendable support arms with a 15 degree tilt angle. The Spider Pro can be fitted with additional support arms for a third keyboard. The Spider Pro also has a 3/8" or 5/8" threaded connection for attaching microphone booms. The tilt of the Spider Pro is greater than that of the Spider to allow easier playing when two keyboards are being used. On top of this, the Spider Pro also provides optimum leg movement thanks to the raised design of its feet, continuously variable height adjustment and a special mechanism for collapsing the stand as well as easy carrying of the stand in the bag
1
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423
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code74 - Lyrics Stand Adjustable height can be adjusted from 32-63 inches to accommodate different types of players. Stability: have rubber feet to keep them upright. Full-size music tray: have a full-size music tray for holding music books, laptops, and tablets. Friction joint: Some stands have a friction joint to keep them in the correct position.
7
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code75 - DI Box The DI-1 is a high-quality direct box with crystal-clear sound for transforming high-impedance, unbalanced instrument outputs to the low-impedance, balanced inputs of a mixing console
16
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code76 - Stereo DI Box Audio Circuit Type: Passive, transformer based Number of Channels: Single channel (mono) Frequency Response: 20Hz 20KHz (A plus or minus 0.2dB) Dynamic Range: 135dB Maximum Input: +21dB @ 20Hz 20kHz Total Harmonic Distortion: 0.05% from 20Hz 20kHz @-10dB Phase Deviation: 0.3 degree @ 100Hz; 3 degree @ 20Hz Input mpedance: 140k Ohms, unbalanced Output Impedance: 150 Ohms, balanced
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code77 - b - AUDITORIUM 500 W plus 500 W power module, Rugged, ABS enclosure delivers light - weight durability SOLO Rigging System supports deployment without tools or external hardware Ar - Q Array Equalization quickly tunes the array with the click of a dial, adjusting for the appropriate number of boxes 10 is to 1 design factor supports arrays of up to 480 lbs. ( 218 kg ) 5 x KLA12 and 2 x KLA181 90 degree x 18 degree nominal coverage ( requires only five boxes to configure a 90 degree x 90 degree array ) High power, 12 - inch low frequency driver provides extension down to 44Hz without subwoofers Extensive DSP further enhances and protects performance 1.75 - inch diaphragm compression driver delivers clear and powerful high - frequency reproduction powerCON Input and Thru connections Tilt - Direct pole mount assists directivity in single - unit applications.
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code78 - QSC KW181 Power output: 1000W Class D continuous, Input impedance (ohms):XLR/1/4": 38k balanced / 19k inbalanced Controls: Power, Gain, LF Mode (Normal/DEEP), Polarity (Normal/Reverse), Front LED (On/Off/Limit) Indicators: Power, Signal, Standby, Limit Connectors: Dual balanced female XLR/1/4" line level input, Dual Balanced male XLR full range line level out, Remote gain control, Locking IEC power connector Cooling: On demand, 50 mm variable speed fan Amplifier protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail Transducer protection: Thermal limiting, excursion limiting AC power input:Universal power supply 100 - 240VAC, 50 - 60Hz AC power consumption (1/8 Power): 100 VAC, 2.3 A, 120 VAC, 2.01 A, 230 VAC, 1.13 A
4
762
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code79 - QSC K12 Monitors 2000 Watt Class-D amplifier module, Intrinsic Correction tuning and loudspeaker management Directivity Matched Transition (DMT) design provides excellent power response and consistent performance across the listening area Refined, professional appearance looks great in any application Rugged ABS enclosure for long life and lasting durability Deployment in either main PA or floor monitor position Factory Presets and savable/recallable Scenes for commonly-used application Multi-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contour Dual pole cup mounts (standard and 7.5 degree down-tilt) M10 fittings for flown applications Optional security panel prevents unauthorized tampering of controls
4
1101
4404
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code80 - 24ch Digital Audio Mixer 24 Mics/Line Inputs, 8 Aux Sends, 2 Internal FX, 13 x 100mm Motorized Faders, 7" Color LCD Touch Screen Ethernet/USB Remote Control, 12 Smart DCAs, Multi-track USB Recording/Dante Module, Digital Inserts for External Plug-ins, App for Wireless Control
1
2118
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code81 - Shure QLXD4 Cordless Handheld MIC Automatic Channel Scan quickly finds clear frequencies; Networked Channel Scan then shares open frequencies between multiple receivers over Ethernet, with one touch syncing, Digital Predictive Switching Diversity ensures a stable RF connection, Highly efficient RF spectrum usage - up to 22 transmitters per 8 MHz channel, Secure AES 256 bit encryption of all wireless transmissions, Shure Wireless WorkbenchR software allows remote control from PC or Mac, ShurePlus Channels mobile app allows remote control from iOS devices, Half rack format with detachable wave antennas, Up to 60 dB of adjustable audio gain Up to 72 MHz tuning bandwidth (region dependent), More than 60 pre set compatible channels per frequency band (region dependent), High contrast LCD menu and controls with lockout feature, plus Audio and RF LED meters with peak indicator, Mic / line switchable XLR output, and 6.3 mm instrument output, Durable aluminium construction with brushed finish,
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code82 - DPA Headset Mic Sound: Open and natural sound, Flexibility: Unequalled flexibility and stability, Durability: A durable package Adapter system: Flexible adapter system, Fit: One-size- fits all adjustable frame, Ear grips: 3-point ear grips, Boom: Two-way adjustable boom, Cable management: 90 degree cable management system, Mount: Technically advanced mechanical headset mount construction, Treatment: PVDtreated mic, Mounting: Easy mounting to the left or right Humidity: Resistant to humidity, Cable: Field-replaceable cable, Carrying case: Well presented in a strong carrying case,
2
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code83 - Lights (LED Par RGBW ) 54 LED par lights each carry 3 Watts and input voltage range of AC100 to 230 volts and supports a frequency of 50-60 Hz. It has 12 White, 14 red, 14 Green and 14 Blue LED chips individually. The DMX 512 protocol, which widely used standard for controlling lighting equipment. Beam Angle of 25 degrees, there is an optional beam angle of 15 or 45 degrees available, providing flexibility in the lighting setup.The housing of this light is die-cast aluminum. This material offers durability and resistance to outdoor elements, ensuring the lamp can withstand various weather conditions. It maintains the optimal temperature for the LEDs and ensures their longevity through its A/C fan cooling system. This light rated as IP65, indicating level of protection against dust and water. The lamp is dust-tight and protected against low-pressure water jets from any direction, making it suitable for outdoor applications with German schuko 16 amps black in and out 1 meter cable.
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code84 - LED Par WW/CW/COB The lighting fixture that features multiple color options and a heavy-duty design. Input Voltage - 100-240V with 60 pieces LED Quantity. It has16.7 million -Color Ranges and 350mA/700mA Drive Current. It supports DMX512 Protocol, Artnet, RDM, Manual, Sound and Auto mode with 25 degrees Beam Angle. This led par light carry 2.5kg Weight with DC cooling fan, Normal power 16A black in/out, DMX in/out fixture connection. The fixture supports various color options, including RGBW, RGB multi-color, WW + CW (warm white + cool white), pure gold warm, and warm white + cool white. It has a normal power 16A black in/out connection for power input/output, and DMX in/out connections for data input/output.
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code85 - Atomic Strobe Led strobe atomic/stormy Light spectrum 1000RGBW Led 4 in 1 full color Multisegment effects and Alphanumeric effects Also available. *1000RGBW 8 segment led with white led strip 4 in 1 full color *960RGB 8 segment led 3 in 1 full color. White in mixing color.
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code86 - Moving Wash - Gamma 19X40 Pro Big Bee Eye K15+ 19PCS 40W hight brightness RGBW 4 in 1 LED bulbs 19 pixels (one pixel per LED), individually controllable Built-in color and rich graphic effects Specially designed optical system 4 degree-60 degree smooth linear motor focusing system 50,000 hours lamp life, low power consumption The three-phase motor,mevement faster and quiet 540 degree Pan mevement , 210 degree Tilt movement 16 -bit smooth and accurate Pan/Tilt rotation Scanner position memory function, automatic reset function Built-in macro function effect, RGBW smooth color mixing system, Color temperature adjustable from 2500-8000K 0-100% Smooth Linear LED dimming 1-25 times/second high-speed strobe effect, adjustable speed,with random strobe and pulse strobe 21/35/132/169 international standard DMX channels DMX512, Master-slave, Sound control, Self- propelled Color LCD display with 5 key switches ,and Chinese and English menu switch Electronic check-up of every single parameter with error alarm Automatic power safety derating in case of overheat of the LED board Low-noise and high-efficiency fan cooling system 40 degree C maximum ambient temperature
65 C maximum surface temperature 0 C minimum operating temperature: IP33 waterproof coefficient DB rate: 50db (3")2 pcs 1/4 fast locking Powercon plug Input and Output 3-Pin XLR signal connector Input and Output 5-Pin XLR signal connector Input and Output RJ45 interface Maximum connected quantity 2 units (120V, 60Hz); 4 units (230V, 50Hz)LED B-EYE K15 has revolutionized the way we think about LED performance moving head lighting. Its innovative optics improve light output uniformity and brightness. The zoom range is from 4 degree to 60 degree. Each LED can be controlled individually, with built-in rich graphic effects. As a result, B-EYE K15 becomes an amazing effect moving head light.. Finally, LED B-EYE K15 front lens can be rotated, paired with rich built-in graphic effects, which can be opened and closed like petals. By adding color and motion graphics, LED B-EYE K15 can generate graphical lighting effects like never before. LED B-EYE K15 is twice as powerful and brighter than B-EYE K10. It is very quiet, and at the same time has the same size and the same control mode as the B-EYE K10
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code87 - CMY-CTO - 380 3 in 1 Gamma Input Voltage: AC 100-240V 50/60Hz, Lamp Source: Osram Lamp 380W, Power Consumption: 600W, Gobos one static gobo wheel: 12 gobos + open 1 rotating gobo wheel, Color: 1 color wheel, 8 colors +open + CTO (3200K-7500K), CMY wheel: linear color change, Limitless color mixing, Noiseless fan with Control Big LCD display Control Protocol: RDM , DMX512, ARTNET Channel: 32CH/24CH Prism
Rotating 8 facet prism and 8+16+24+48 facet prism Beam angle: 0-2 degree Fixture Connection:3 - pin DMX in % out, power in & out Pan: 540 degree Till: 270 degree Pan/Till Resolution: 16 bit Cooling: Sunon Fan Color Rendering Index(Ra): 90 Operation temperature: 20-40 degree C Product Size: 350x290x580mm Packing Size: 440x390x560mm Net Weight:24 Kg Gross Weight: 26 Kg IP Rating: IP20 This fogger is reliable, safe and feature-rich. In addition, it
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code88 - Haze Machine has a practical and nice looking design. It will be your best smoking friend at small to large venues. The smoke intensity is seamlessly adjustable from 0-100 %. You can not only control the fogger manually, you can also control it via DMX or the included timer remote control.
1
2542
2542
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code89 - Tiger Touch Lighting Controller Titan 11.0 version 11.1 operating system. i5 (i7) CPU processor, 64GB solid-state drive, 4GB memory; Support Chinese menu display, built-in multi-language; built-in UPS power failure protection; Built-in 15.6-inch high-resolution widescreen touch screen; 10 macro function buttons, allowing you to operate the console faster; 20 playback faders, support more than 1000 program playback; Powerful property control window, CMY\RGB color picker system; The console itself has 12 ports, 6144 channels of output, Support graffiti screen identification function; A fast and easy-to-use graph generator, and the categorized built-in graphs are easier to use; Support CIPT protocol, you can directly see the image thumbnails of the media clips in the media server on the console; Support Wi-Fi access, wireless control lights, mobile devices (iPhone, iPad Touch) remote control lights; Thousands of built-in light libraries and built-in light library editing software, you can edit light libraries on the console at any time; Built-in Visualiser line lighting visualization software.
1
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3813
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code90 - Truss( T truss on base plate/Trolley) Pipe diameter main pipe: 50mm Wall thickness: 2mm Material: EN AW-6082 T6 Snake brace: 8,8mm, 34 Truss is a 30 x 30" support foundation for Global Truss F34 truss sections, which can be used to install lights at trade shows and other display spaces,
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2966
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code91 - Crew (Sound engineer)
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4237
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code92 - Lighting Engineer
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2966
2966
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code93 - Technical Crew
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code94 - c) AMPHITHEATRE (JBL VRX 932 Tops) Frequency Range (-10 dB)1 : 57 Hz - 20 kHz Frequency Response ( plus or minus 3 dB)1 : 75 Hz - 20 kHz Coverage Pattern: 100 degree x 15 degree nominal Crossover Modes: Bi-amp / passive, externally switchable Crossover Frequency: 1.2 kHz Power Rating Passive: 800 W / 1600 W / 3200 W (Continuous/Program/Peak)2 : Bi-amp LF: 800 W / 1600 W / 3200 W Bi-amp HF: 75 W / 150 W / 300 W System Maximum SPL2 : 130 dB SPL peak (passive mode) LF: 130 dB HF: 139 dB System Sensitivity (1w @ 1m): 95 dB SPL (passive mode) LF: 95 dB (Bi-Amp mode) HF: 114 dB3 (Bi-Amp mode) LF Driver: 1 x JBL 2262H 305 mm (12 in) Differential Drive woofer with neodymium magnet, dual voice-coils, and dual magnetic gaps. HF Driver: 3 x JBL 2408J, 38 mm (1.5 in) voice-coil, neodymium compression driver Nominal Impedance: Passive: 8 ohm Bi-amp LF: 8 ohms Bi-amp HF: 8 ohms Active Tunings: Tunings available at www.jblpro.com Enclosure: 18 mm, 11-ply birch plywood. Suspension / Mounting: Optional VRX-AF line array frame kit; M-10 Eyebolt Kit Finish: Black DuraFlex finish Grille: Powder coated, black, 16-gauge perforated steel with acoustically transparent foam Input Connectors: Neutrik Speakon NL-4 (x2) Dimensions (H x W x D): 349 mm x 597 mm x 381 mm (13.75 in x 23.5 in x 15.0 in) Net Weight: 21 kg (46 lb)
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code95 - JBL 931 Flying Sub
Frequency Range (-10 dB): 31 Hz - 220 Hz Frequency Response ( plus or minus 3 dB): 34 Hz - 220 Hz Maximum Peak Output1 : 126 dB SPL at 1m LF Driver: 1 x JBL 2268FF 457 mm (18 in) dual voice coil Differential Drive woofer with neodymium-magnet Bandpass Nominal Impedance: LF: 2 x 2 ohms DPC-2 Internal Amplification Output (at nominal load): 1500 Watts Peak, 750 Watts Continuous DPC-2 Output as (Continuous IEC shaped pink noise into rated load impedance): LF: 750 Watts DPC-2 Output Section: LF: Dual-Bridged Technology, Class D Audio Input Connector: XLR with loop through User Controls: Input Attenuator (0-16 dB) Selectable 80 Hz or 120 Hz Low Pass 80 Hz High-Pass enable/disable for XLR loop thru. Signal Processing: DSP based, resident in Input Module System Management: DSP based limiters for mechanical and thermal protection. AC Power Operating Range: 90-132 VAC or 216-264 VAC, 50/60Hz AC Line Voltage: User selectable: 120V/240V (-15%, +10%) AC Input Connector: Neutrik PowerCon (NAC 3MPA) AC Loop Through Connector: Neutrik PowerCon (NAC 3MPB) AC Current Requirements: 6A per system at 120V, 3A per system at 240V Enclosure: 18 mm birch plywood. Suspension / Mounting: Optional VRX-AF line-array frame kit or 10 mm forged eyebolts Finish: Black DuraFlex finish Grille: Powder coated, black, 16-gauge perforated steel with acoustically transparent foam Dimensions (H x W x D): 508 mm x 597 mm x 749 mm (20.0 in x 23.5 in x 29.5 in)
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code96 - JBL STX 932 Subs Frequency Range (-10 dB): 57 Hz - 20 kHz Frequency Response ( plus or minus 3 dB): 75 Hz - 20 kHz Coverage Pattern: 100 degree x 15 degree nominal Maximum Peak Output1 : 136 dB SPL at 1m LF Driver: 1 x JBL 2262FF 305 mm (12 in) dual voice coil Differential Drive woofer with neodymium-magnet HF Driver: 3 x JBL 2408J, 38 mm (1.5 in) voice coil neodymium compression driver Bandpass Nominal Impedance: LF: 2 x 2 ohms HF: 4 ohms DPC-2 Internal Amplification Output (at nominal load): 1750 Watts Peak, 875 Watts Continuous DPC-2 Output as (Continuous IEC shaped pink noise into rated load impedance): LF: 750 Watts, HF: 125 Watts DPC-2 Output Section: LF: Dual-Bridged Technology, Class D HF: Bridged Class D Audio Input Connector: XLR with loop through User Controls: Input Attenuator (0-16 dB) ACS (Array Configuration Selector), HF level adjustment (+3 dB, 0 dB, -3dB) Signal Processing: DSP based, resident in Input Module System Management: DSP based limiters for mechanical and thermal protection. AC Power Operating Range: 90-132 VAC or 216-264 VAC, 50/60Hz AC Line Voltage: User selectable: 120V/240V (-15%, +10%) AC Input Connector: Neutrik PowerCon (NAC 3MPA) AC Loop Through Connector: Neutrik PowerCon (NAC 3MPB) AC Current Requirements: 6A per system at 120V, 3A per system at 240V Enclosure: 25/15 mm birch plywood. Suspension / Mounting: Optional VRX-AF line-array frame kit, 10mm forged eyebolts or internal dual angle 36mm pole mount cup for pole or tripod mounting Finish: Black DuraFlex finish Grille: Powder coated, black, 16-gauge perforated steel with acoustically transparent foam Dimensions (H x W x D): 349 mm x 597 mm x 444 mm (13.75 in x 23.5 in x 17.5 in)
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code97 - QSC K12 Monitors 2000 Watt Class-D amplifier module, Intrinsic Correction tuning and loudspeaker management, Directivity Matched TransitionR (DMT) design provides excellent power response and consistent performance across the listening area, Refined, professional appearance looks great in any application, Rugged ABS enclosure for long life and lasting durability, Deployment in either main PA or floor monitor position, Factory Presets and savable/recallable Scenes for commonly-used application, Multi-function digital display for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contour, Dual pole cup for control and selection of loudspeaker functions including cross-over, EQ, delay and frequency contour, Dual pole cup mounts (standard and 7.5 degree down-tilt), M10 fittings for flown applications, Optional security panel prevents unauthorized tampering of controls
8
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code98 - Crown Amplication XTI6002 Peakx Plus Limiters provide the ultimate in system performance and protection by allowing full control over threshold, attack, and release, Enhanced Subharmonic Synth section provides user control over frequency, gain and filter type for system-specific tuning, 3 User-defined fan mode controls - normal, early and fullspeed - for matching fan performance to a specific application, New system monitoring provides software visibility of AC line voltage and power supply temperature, Integrated cast-aluminum handles for easy handling and enhanced durability, Locking power cord clip provides a secure connection between the amplifier and power cord, Updated HiQnet System Architect control software, Increased number of presets to a total of 50 49 of which are user definable
3
1694
5082
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code99 - Feedback Elimination, 2.7 Seconds of Alignment and Zone Delay RS-232 PC GUI control Classic dbx Compression and Limiting Graphic and Parametric EQ Auto-EQ Function Full Bandpass, Crossover, and Routing Configurations Auto Gain Control Pink Noise Generator and fulltime RTA Setup Wizard with JBL speaker and Crown Power Amplifier Tunings Security Lockout Wall Panel Control Inputs
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1525
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code100 - Digital Audio Mixer 32ch Allen & Heath QU32 Type - Digital, Channels - 32 Mono, 3 Stereo, Inputs - Mic Preamps:32 x XLR, Phantom Power- 32, Inputs - Line - 32 x 1/4 inch , Inputs - Other:4 x 1/4 inch (2 stereo in), 1 x 1/8 inch TRS (stereo in), Outputs - Main - 2 x XLR (left, right), 2 x 1/4 inch (2 track out), 2 x 1/4 inch (alt out), Outputs - Other - 4 x XLR (mono mix outs), 3 x XLR pairs (stereo mix outs), 4 x XLR pairs (stereo group outs), 2 x XLR pairs (stereo matrix outs), Outputs - Digital:1 x Ethernet dSnake, 1 x XLR AES, 1 x USB Type A Busses / Groups : 16 - bus Talkback:1 x XLR Data I/O - 1 x Ethernet TCP/IP USB:1 x Type B, 1 x Type A Computer Connectivity:USB (32 x 30), Ethernet Headphones:1 x 1/4 inch TRS Faders:32 x 100mm channels, 1 x 100mm master EQ Bands: Parametric EQ, 28 - band graphic EQ Effects:Reverb, delay, chorus, phaser, flanger (4 x stereo FX returns) DAW Control:MIDI DAW control driver for Mac (HUI, Mackie Control) Height : 7.32 inch (desktop position) Depth:19.52 inch ( desktop position) Width:33.42 inch Weight:53 lbs. Manufacturer Part Number:AH - QU- 32C
1
2118
2118
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code101 - Mics(Shure QLXD4 Cordless Handheld MIC ) Automatic Channel Scan quickly finds clear frequencies; Networked Channel Scan then shares open frequencies between multiple receivers over Ethernet, with one touch syncing, Digital Predictive Switching Diversity ensures a stable RF connection, Highly efficient RF spectrum usage - up to 22 transmitters per 8 MHz channel, Secure AES 256 bit encryption of all wireless transmissions, Shure Wireless Workbench software allows remote control from PC or Mac, ShurePlus Channels mobile app allows remote control from iOS devices, Half rack format with detachable half wave antennas, Up to 60 dB of adjustable audio gain Up to 72 MHz tuning bandwidth (region dependent), More than 60 pre set compatible channels per frequency band (region dependent), High contrast LCD menu and controls with lockout feature, plus Audio and RF LED meters with peak indicator, Mic / line switchable XLR output, and 6.3 mm instrument output, Durable aluminium construction with brushed finish,
2
381
762
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code102 - Body Pack Receiver Bodypack receiver for use with the PSM 1000 Personal Monitor System. The P10R+ twin-antenna diversity Bodypack Receiver brings personal monitoring to its highest level yet, putting category-leading audio quality, robust RF performance, and touring-grade features right at your fingertips. Its advanced digital signal processing technology delivers unparalleled audio quality with more headroom, better stereo separation, and higher fidelity. With premium features like full bandwidth RF scan, Precision Front-End RF Filtering, and Automatic RF Gain Control, P10R+ meets the needs of professional audio applications of all sizes, including IEM and IFB applications.
2
423
846
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code103 - Corded Mic with stand Frequency response tailored for vocals, with brightened midrange and bass rolloff, Uniform rtefact pickup pattern isolates the main sound source and minimizes background noise, Pneumatic shock-mount system cuts down handling noise, Effective, built-in spherical wind and pop filter, Supplied with break-resistant stand adapter which rotates 180 degrees, Legendary Shure quality, ruggedness and reliability, Cardioid (unidirectional) dynamic, Frequency response: 50 to 15,000 Hz
16
381
6096
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code104 - Cordless Microphones SENNHEISER 6000 Series The handheld transmitter SKM 6000 is inter modulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, rtefact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.
2
381
762
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code105 - 1 s 902 Bass drum microphone, 4 e 904 Tom microphone, 1 e 906 Snare microphone, 2 e 914 Overhead microphone, CC5 case with inlay, e914: for demanding instrument recordings, and performances that produce extended frequencies, high SPL handling and transient response. For woodwind, strings, and home recording, e904: for toms, snares, and percussion, clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp, 902: for bass drums, bass guitar cabs and tubas. Solid, lightweight, and easy to position. For studios, clubs, rehearsal rooms, smaller gigs, or for home recording.
1
381
381
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code106 - DPA Instrumental Mic The DPA is a supercardioid condenser microphone with a small footprint. It has a gooseneck that allows for a variety of positioning options. The microphone terminates with a 5.5” gooseneck and a MicroDot connector, CORE technology, Handles high SPLs, Superior gain-before-feedback, Flexible and easy mounting, Detachable cable, Uniform off-axis frequency response, Brings out the true nature of an acoustic instrument
10
466
4660
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code107 - 8Ch Sub Snake Contents: 8 Channel Compact Sub Snake, Application: Extending main Front of House SnakeCondition: NEW Sends: XLR Connectors (Box): 8 XLR Female Connectors Connectors (Fantail): 8 XLR Male Connectors Stage Box and Fantail are numerically labelled 100% individually shielded pairs Low Profile Compact Steel Stage Box High quality XLR connectors at both ends Stage Box Dimensions: 5" x 3.5" x 2"
2
550
1100
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code108 - Kick 20", Snare 14", Tom (Radious 10 inch), Tom (Radious 12 inch),Floor Tom 14", Hihat Top & Bottom (14 inch), Crash 16 inch, Crash 18 inch, Ride 20Inch, Throwne with stand, Snake drum stand S390, H-930Hi hat Stand, C-930 Cymbal Boom stand, BC-930 Cymbal Boom Sta, ADP-30 Adapter.) Drum Kit: Standard 5 Piece Pearl Masters MCX Ready to play package including a 5pc kit, hardware, cymbals, drum stool, and drumsticks, 7.5mm, 6-ply poplar shells provide a warmth, versatile tone, Includes a hi-hat and a crash/ride cymbal for immediate play, Premier low-mass lugs provide tuning reliability, Triple flanged steel hoops offer impeccable rimshot sounds, Includes a matching 14’’ x 5’’ wooden snare drum, Hard-wearing PVC finish is extremely durable, Double-braced hardware for added stability
1
38135
38135
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code109 - Guitar Amps (Fender Twin Reverb) The Fender 65 Twin Reverb Amp is an authentic all-tube reproduction of the original classic It has earned a reputation of being one of the cleanest tube amps ever, but it delivers a taste of the trademark Fender crunch when cranked up high. Delivers 85W through two Jensen 12" speakers. It has two channels, tube vibrato, tube spring reverb, tilt-back legs and Blackface cosmetics. Includes two-button footswitch to control reverb and vibrato effects
1
550
550
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code110 - Rhythm Guitar Amps ( Marshall JCM 900 Head with 1960A-E 300w cabinet) The Marshall JCM900 is a 100-watt, two-channel guitar amplifier head with a valve technology. It has a series FX loop that allows you to switch effects pedals in and out. The JCM900 also has a true bypass operation for sonic transparency, Speakers: Four 75-watt G12T-75 speakers Inputs: Two inputs, Power: 75 watts each, Mono/stereo: 4/16-ohm mono or 8-ohm stereo, Power handling: 2 x 150W (stereo mode) 1 x 300w (mono mode), Appearance: Black grille cloth and white piping, large white logo, black elephant grain vinyl, Angled cut: The sides and baffle of the cabinet are angled, which slightly angles the top two 12" speakers upwards
1
381
381
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code111 - BASS GUITAR AMP( Hartke LH 1000) The LH1000 features a classic 12AX7 Class A tube front-end design with a solid-state output. Trick out the bass and treble shelves to give its warm tone an edge, or use the Brite and Limiter switches to further sculpt your sound. Its intuitive front-panel design also makes on-the-fly adjustments a breeze. While the LH1000 is the perfect complement to our HyDrive Series bass cabinets
1
466
466
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code112 - Mark Bass INPUT impedance 500 Kohm, max. voltage 15 Vpp EFFECT RETURN impedance 22 Kohm, max. voltage 25 VppCONTROLS GAIN 80 dB to +25 dB range MASTER VOLUME GROUND LIFT switch on rear panel EQUALIZATION LOW center frequency: 40 Hz; level: plus or minus 16 dB LOW MID center frequency: 360 Hz, level: plus or minus 16 dB HIGH MID center frequency: 800 Hz, level: plus or minus 16 dB HIGH center frequency: 10 kHz: plus or minus 16 dB VPF (Variable Pre-shape Filter) center frequency 380 Hz (cut) VLE (Vintage Loudspeaker Emulator) frequency range 250 Hz-20 kHz (cut) OUTPUT LINE OUT balanced XLR, max. voltage 10 VppEFFECT SEND unbalanced, max. voltage 20 Vpp (pre-EQ) TUNER OUT unbalanced, max. voltage 25 Vpp SPEAKER OUT speakon / 1/4" (x2) OTHER OUTPUT POWER 300W RMS @ 8 ohm, 500W RMS @ 4 ohm POWER REQUIREMENT 100V; 120V; 230V; 240V 50/60Hz
1
677
677
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code113 - KEYBOARD AMP( Roland KC 550) The KC-550 boasts 180 watts of powerful sound via a 15-inch speaker and horn tweeter. In addition to its four input channels, this flagship amp includes an Output Select switch for selecting the monitor sound destination, a Shape switch for quick sound adjustment and an XLR Line output for direct connection to a mixing console.
1
4237
4237
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code114 - Accessories (Guitar Stand) Instant height adjustment clutch, Folding auto grip system Narrow Instrument Neck Adjustment for mandolins and banjos
4
127
508
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code115 - Keyboard stand single
Professional-grade keyboard stand. Single-bar design for stability and support. Adjustable height settings for personalized playing position. Rubberized feet for stability and slip resistance. Easy setup and collapsible design for portability. Suitable for keyboards and digital pianos.
1
127
127
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code116 - Keyboard stand double-spider The Spider Pro is the further development of the Spider keyboard stand. The Spider Pro is equipped with a pair of extendable support arms, as well as an additional pair of extendable support arms with a 15 degree tilt angle. The Spider Pro can be fitted with additional support arms for a third keyboard. The Spider Pro also has a 3/8" or 5/8" threaded connection for attaching microphone booms. The tilt of the Spider Pro is greater than that of the Spider to allow easier playing when two keyboards are being used. On top of this, the Spider Pro also provides optimum leg movement thanks to the raised design of its feet, continuously variable height adjustment and a special mechanism for collapsing the stand as well as easy carrying of the stand in the bag
1
127
127
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code117 - Lyrics Stand Adjustable height can be adjusted from 32-63 inches to accommodate different types of players. Stability: have rubber feet to keep them upright. Full-size music tray: have a full-size music tray for holding music books, laptops, and tablets. Friction joint: Some stands have a friction joint to keep them in the correct position.
2
211
422
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code118 - DI Box The DI-1 is a high-quality direct box with crystal-clear sound for transforming high-impedance, unbalanced instrument outputs to the low-impedance, balanced inputs of a mixing console
10
254
2540
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code119 - d) SANET HALL Sound (Evolve 50M ) Type:Portable PA System, Speaker Drivers:1 x 12" LF, 8 x 3.5" HF, Number of Mixer Channels:8, EQ:3-band system EQ, 7-band graphic EQ, Effects:Reverb, Chorus, Echo Inputs:4 x XLR-1/4" Combo (mic/line), 2 x XLR-1/4" Combo (line L, R), 1 x Dual RCA Stereo, 1 x 1/8", 1 x 1/4" (HI-Z) , Outputs:1 x XLR (aux), 1 x XLR (mix), Bluetooth:Stereo Input, Other I/O:1 x 1/4" (footswitch), 1 x RJ45 (QuickSmart link), Total Power:1000W, Frequency Response:43Hz-20khz (-3db), Maximum Peak SPL:127dB SPL, Horizontal Coverage Angle:120 degree, Vertical Coverage Angle:40 degree, Enclosure Material:Black Finish: 15mm Plywood, Aluminum Pole, Composite Column, Mounting Options:Floor, Power Source:Standard IEC AC power cord, Height:80.5", Width:13.6" Depth:18.5" Weight:57.75 lbs
2
3813
7626
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code120 - 16ch Audio Mixer Yamaha Type:Analog, Channels:16 Computer Connectivity:USB (2 x 2) Faders:16 Faders Inputs - Mic Preamps:8 x XLR/TRS Combo, 2 x XLR, 4 x TRS Phantom Power:12 Inputs - Line:4 x TRS Inputs - Other:2 x RCA (Stereo) Outputs - Main:2 x XLR, 4 x TRS Outputs - Direct:4 x TRS Outputs - Other:1 x TRS (Footswitch) Aux Sends:1 x Pre, 1 x Post/Pre, 2 x Post Send/Return I/O:4 x TRS (Send) Busses/Groups:4 x Groups Headphones:1 x 1/4" USB:1 x Type B EQ Bands:3-Band, Sweepable Mid Effects:Yes Software:Cubase AI DAW software (download) Rackmountable:Yes Height:5.1" Width:17.5" Depth:19.7" Weight:14.6 lbs.
1
2966
2966
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code121 - Shure QLXD4 Cordless Handheld MIC with Tripod Stand Automatic Channel Scan quickly finds clear frequencies Networked Channel Scan then shares open frequencies between multiple receivers over Ethernet, with one touch syncing, Digital Predictive Switching Diversity ensures astable RF connection, Highly efficient RF spectrum usage - up to 22 transmitters per 8 MHz channel, Secure AES 256 bit encryption of all wireless transmissions, Shure Wireless WorkbenchR software allows remote control from PC or Mac, ShurePlus Channels mobile app allows remote control from iOS devices, Half rack format with detachable wave antennas, Up to 60 dB of adjustable audio gain Up to 72 MHz tuning bandwidth (region dependent), More than 60 pre set compatible channels per frequency band (region dependent), High contrast LCD menu and controls with lockout feature, plus Audio and RF LED meters with peak indicator, Mic / line switchable XLR output, and 6.3 mm instrument output, Durable aluminium construction with brushed finish,
1
1016
1016
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code122 - Sound Operator
1
2118
2118
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